Yes, I've seen him before. Interesting stuff. It's just that at the end of the day, what are you gonna do with all that. For me, this would be a very impractical way to spend my time practicing.
Last edited by D. Slam on Sat Jan 04, 2014 3:17 pm; edited 1 time in total
My lord, what a mind workout. Some interesting video comments. The 9/8 narration is way cool, especially since I just started trying this with an interest in Turkish music. Maybe one day I'll be ready to accompany a belly dancer. Here's a nice video instruction I've been working on, really very well presented other than a mistake in the chart. Very easy to follow and was tricky to get, but I'm almost there:
Posts : 951 Join date : 2011-12-27 Location : SW Virginia
He's a good teacher.
D, I think I can hear practical music in what Zeldman does if her were in a band without a percussionist. Lots of notes.
But, yes, after awhile turning drumming into a mathematics course loses the organic nature of it for me, which is what drew me to the instrument to begin with.
Actually, given that you love what Virgil does, one of the elites of subdivision and odd time, I'm surprised you didn't like this more.
I can certainly appreciate what he's doing, Asaph and he's quite good at it. I have Virgil's latest CD. It's good! But it's so rhythmically involved that I find myself becoming ear fatigued depending on 'HOW' I'm listening to what he does.
i.e. Sometimes I'll put on a certain piece of music for study and other times (most of the time) I'll put some on for enjoyment sake. I want to be taken somewhere without being ooooed and awwwed from a technical platform. I just want to hear some good music and it doesn't matter to me how simple or complex it is.
I'm happy to say that Virgil does have a lot of the latter but this last CD of his though well put together leaves me a bit cold in the area of emotion. Likewise, Pete Zeldman just leaves me dry and in all likelihood I'll never need to execute anything close to such concepts.
But don't get me wrong, I think what he's doing is a good thing. Everything's just not for everybody.
Posts : 1243 Join date : 2008-01-04 Location : Evanston, IL USA
It really depends on the feeling for "pocket" that I get from the players that play odd-signatures.
"Counting" is counting. "Feeling" is another thing. When I hear Virgil do odd-signatures, I can hear the accenting in/of the subdivisions. This makes a big difference for me.
I do not want to hear 9-bars go by. I want to hear the 4's, 5's, 3's and 2's etc. I don't just want to be taken for a fool's ride. I want to really feel these intervals. That is something I think Virgil does and of course, what Billy did/does.
Agreed, Pete and very well said. This is among the biggest reasons I love what Virgil does behind a set of drums. He has a way of inner-lacing what he does to the time signature and the music, making want to pat your foot not to keep time but because you're FEELING it!
To me, this is the area where Thomas Lang and Marco Minnemann fall short. Likewise for this guy Pete Zeldman.
Posts : 500 Join date : 2009-02-28 Age : 65 Location : Eugene oregon USA
This kind of "playing with rhythm" is central to Indian classical music. Trilok Gurtu does stuff like this all the time. I know Roma musicians do it out of boredom sometimes. i think the trick is to get other musicians on board for these types of rhythmic excursions. Playing real music in real time with real people. That's when it counts and makes sense. if Zeldman can take these concepts and make it musical with musicians then it's gonna be powerful. Right now it's a demonstration. I want to hear his band imply these concepts as a group. Rhythm by itself isn't so interesting as it can be when with other instruments. I have to say i like the general tone with that high pitched thing he's got in there, reminds me of Bulgarian drummer Salif Ali's (the Billy Cobham of Bulgaria) concepts. Also got an almost west African sabar drum ensemble sound. Almost. the difference is it needs a melodic instrument or voice carrying it over the top to give it a full dimension. i think the guy's pretty awesome so far. I can't say i dig his teaching style it's like watch this kids. here's this now. it ends up very dry with that new york accent hey kids check dis out I'm gonna put a seven in dis here 18 sounds a little like a dis.