"Otherwise, with a bit of tweeking and
a little careful planning, you can't audibly
tell an $800.00 set of drums from an
$8,000.00 set." DSlam
True! So true. I am so tired of all the hype in the drum industry. To me, everything is bearing edges, head choices, tuning, and mounting. Otherwise it's a cylinder with membranes on it.
A guitarist I play with was sold "a great set of drums" which are Argent drums, bottom line, student level, beginner's drums. I took them home, redid the bearing edges, got him iso-mounts for the toms, took off the plastic wrap and put mahogany veneer on them and he was shocked to hear (and see) the difference. We recorded them this past weekend. I was even surprised at how good they sounded on playback. Just three mics, too - overhead and bass drum. Different snare drum though. The Argent metal snare was beyond hope for any kind of high-end crack with just 6 lugs.
ANY drum can be made to sound good, though. D is right, the day someone can tell the difference between manufacturers, eyes closed, will be the day I back off my convictions and observations of drums in the last 45 years.
If it has never been done I wish some drum magazine would do an article on just that point. Take ten, 10" or 12" toms, 14 or 16 floors from various companies, same heads, same tuning, stand ten feet away and do a blindfold test. I'd be startled to be told anyone could tell differences in sound worthy of notice, one from another. And that goes to birch, maple, mahogany, whatever. My own set has wood differences and no one can tell. I cannot even tell sitting at the drums. The drums I renovated are basswood. Soft. A coat of tung oil inside brightened them up, and even with the Emperor heads on them they sound resonant. With Ambassador weight heads they would sound even better. Of course, for players who like the more muted sound, these would suffice, for sure. Hype, hype, and more hype. It's ridiculous. Nuances, at best.